Showing posts with label Inclusiveness. Show all posts
Showing posts with label Inclusiveness. Show all posts

Tuesday, December 7, 2021

Day 8: Making Public Spaces LGBTQI+ Inclusive: A Roundtable


On the 8th day of the Prajnya 16 Days Campaign against Gender Violence, Prajnya, along with Orinam, had a roundtable discussion with members from the LGBTQIA+ community, media persons, policy-makers, and other important stakeholders/practitioners who gave a number of important inputs on making public spaces more LGBTQIA+ inclusive. The session was moderated by Dr. Ramakrishnan (he/they) and had Harish Subramanian (he/him), Ar.Muhilann Murugan (they/them), Natasha (she/they), Raj Cherubal, Sonal Shah, and Shreya, who gave us their perspectives on accessibility and inclusivity in public spaces.

The opening statements of the discussion were on how public spaces in Chennai don't just include beaches and parks but also comprise libraries, public restrooms, museums, government-run healthcare facilities, places of worship as well as transportation facilities. However, for the queer community, these spaces are getting increasingly surveilled and hostile for anyone who does not conform to gender norms. Additionally, when we talk of public spaces, it is essential to talk about shelters as well. There are shelters for those who are homeless; a lot of queer people face homelessness but have very few places to stay. 

"There is intersectionality when it comes to safe spaces. Spaces can be safe. But for whom, and where?"

This powerful opening line resonates with the lived realities of LGBTQIA+ folks. This makes it critical to navigate how spaces can be safe. As a collective, a city or a state, it must stand for something, either through colours and murals, or through history and identity. We all access the same public spaces, but what is 'safe' for one doesn't necessarily translate into 'safe' for another. A city, should hence, allow its citizens to welcome people. It shouldn't be designed to make spaces exclusive, but should instead practice affirmative action like making queer stories a part of the city's history. The city needs queer folks; it needs to give space for communities to gather and talk about things. But also, it shouldn't keep queer folks away from having conversations. An instance that was cited is that hospitals could allow queer people to talk about STDs, STIs or one's sexual health; one need not be queer to know about the same. For this, cities must be inclusive, and that can happen only if there is a queering of cities. The city needs queerness. 

Even small steps will go a long way in making cities queer. A very important way to do that is to work on queer-friendly spaces, especially for toilets. Most public toilets have signages of 'male' and 'female'. How is that gender-inclusive? Why aren't people taking such (important) but small actions to make spaces inclusive? Another way of addressing this issue is by creating spaces for queer folks to discuss safely. Madras has two important beaches - Marina and Besant Nagar. However, in Marina, one cannot stay past 9 PM and the lighting is very poor. It is open throughout the day and night and a sense of 'belonging' is not really present there. Folks have to face the judgment of the police and other people who adhere to cis-heteronormative ideals. In contrast, Besant Nagar is a smaller space with lighting but is not open throughout the day. Marina is important for queer folks, in particular, because homes aren't safe spaces for all. So, there is a dependency on public spaces. Making public spaces queer-friendly is just a small step to make us feel like we aren't invisible; we are heard and we are seen.

But, to navigate through this, it is important to break down what inclusivity in public spaces is all about? Is it just about working on inclusive spaces for queer folks, or for anyone from the marginalised community? When you work on making public spaces accessible for the queer or trans folks, you are not just making spaces accessible for the most marginalised identity, but for everyone else - that is how policies must be seen. It is also a reality that currently there is no visibility for folks from the LGBTQI+ community. Most representations, with a few exceptions, adhere to cis-heteronormative ideals; there is a glorification of brahmin upper-caste histories, with a sequential and simultaneous erasure of queer lives. A few simple ways to pass the mic to queer folks is by making them engage in the processes of development of the city - painting murals, giving them livelihood opportunities, setting up signboards that talk of queer lives, or something as simple as having an LGBTQIA+ flag in public spaces. There needs to be an immediate and increased focus by the government to help queer folks reclaim public spaces through sensitisation of employees as well.

The voices of the queer community were met with an openness to take this dialogue further by various stakeholders who engaged in the roundtable. They stressed how public spaces and its design can be seen as a metaphorical 'colour picture'. There must be initiatives and affirmative action taken by the State to showcase, focus and highlight different arts and music in order to make spaces safe, and spread awareness. While listing the many ways of making spaces safe, accessible, and inclusive can be done at ease, engaging with those in power is a difficult process. One of the reasons for this is that decision-makers often come with heteronormative conditioning; it takes a lot of negotiating to work on inclusive infrastructure that is accessible to all. To add to this is the limitation of lack of literature and research on the accessibility of queer folks to public spaces and public transportation. An important point that was mentioned is that queer folks must be at the centre of these decisions. Whether public spaces can work or not is something that requires inputs from the community. Because this doesn't just increase visibility but also tells us whether the public spaces are working.

The audience raised a number of perspectives, experiences, and opinions on the discussion. They highlighted how the decision-makers often view the end-users to be an upper-caste, upper-class man, while other groups have to adjust. This can be overcome only if one listens to the community and builds a coalition with the end-users and the local government. Because, on paper, quite a few policies with their global and fancy terminologies appear inclusive, but if there is no implementation plan in place, the fancy terms mean nothing. The discussion circled back on the importance and necessity to make public spaces inclusive for the marginalised. 

The discussion closed with what was considered a top priority to make public spaces accessible, safe and inclusive. For this, it is essential to break down what we understand as inclusive space. How do we make people know that queer folks are not invisible? There is a common notion that LGBTQIA+ folks are sexual deviants and only talk about sex work. These problematic notions exist because of the erasure of queer lives. We must also push for conversations on queerness and on raising visibility. It is also essential to understand that marginalisation and violence are systemic, with intersections of caste, class, gender, sexual orientation, romantic orientation, to name a few.

Monday, December 8, 2014

Going Beyond the Surface

The story of the ugly duckling is used by the Mythri children as a parable for not only personal transformation but accepting ourselves and others the way we are. Watch them perform!


Together... we can!

Once upon a time, a flock of birds settled around a pond for a drink of water. Seeing them, hunters cast their net and trapped them. First flustered and daunted, the birds realised that they had a common problem and could together, be part of the solution. They lifted their wings and lifted the net off the ground with them. By working together, they were able to fly together towards freedom and safety!

Dance students from Mythri Centre for the Arts chose, choreographed and performed this story for us last week. 

A Steely but Melodious Resolve for Change!


The music students at the Mythri Centre for the Arts perform Bharatiar's 'Manathil Uruthi Vendum' for us. Watch them for inspiration!


Powering Through Change: The Mythri Journey

This is a campaign where our emphasis has been on processes over events. The children at the Mythri Centre for Arts along with our GEM Nanditha Prabhu, have been working hard to understand and articulate what inclusiveness, equality, safety and change mean to them all through this campaign. 


The exploration of these themes was through the idea that each of us has many powers. The 5 powers we chose to concentrate on were:
  • To be oneself
  • To exercise choice
  • To make a difference
  • To help others
  • To imagine (and turn into reality) a better world


We decided collectively that it was not the  performance at the end that was the goal. It was more important for us to document the process and be present when these questions were being raised and talked abut. It has been a process of discovery for everyone involved.



We were blown away by the enthusiasm with which the children engaged with the topic and made it their own. Even when offered a ready-made script they chose to work on their own interpretations and ideas. Here are some pictures from the various rehearsals, discussion groups and practice sessions that the kids initiated.

A session on Personal Safety by Ms.Geetha



Art Work on Making a Difference by the Mythri Kids




A Message From Nanditha

Mythri is happy to be part of this campaign, and I am sure that this campaign will put a seed of change in many young hearts. I can already see kids showing lots of energy. Even before the campaign dates we tried to introduce the kids to this topic of recognizing the power within. Some of the older kids themselves have come up with ideas.Just wanted to share with you what happened at Mythri during our last session. One child read out the poem "Still I rise" and did some research on Maya Angelou. Kids were just given the topic of all the 5 powers and they themselves did a dramatic presentation. It was very nice, as they did it without any help.We have asked them to also write on this... poems or articles so that it can get them thinking. I felt it was a better way than we telling them what to do. We are also keeping a painting drawing session on 29th Nov on"the power to make this world a better place". Will update on that too. I feel every small act can take us one step closer to our vision :)

Meet Our GEMS: Nanditha Prabhu

A Safer Future For Our Children
by Meera Srikant


Having been initiated into the realm of performing arts at a very tender age, Nanditha,  daughter of Kalaratna Kalamandalam Sugandhi, completed PG Diploma in Arts Management from the Madras Craft Foundation Institute of Arts Management. Recipient of senior scholarship and junior fellowship in Mohiniyattam from the Ministry of Culture, Government of India, she is a founding partner of "Mythri": centre for arts”, which caters to the overall development of children through fine arts. She is a TEDx speaker. At present she is pursuing her research at Sastra University, Thanjavur in dance under the guidance of Dr. Padma Subrahmanyum. She shares with Prajnya the need to create awareness a safe society for children.

Why is this issue important to you?

To create a safe, peaceful community and to lead a harmonious life is a right of every individual. Initiatives such as these inspire responsible citizens to think and do their part in building such communities.

What is it you feel most strongly about?

I mainly work with children and I strongly believe that it is the responsibility of adults to provide a safe haven for them to bloom fully.  A necessity to boost the self-esteem among youngsters today, I think is the need of the hour.

Tell us about your activity and what you hope to do with it.

I along with my partner Martha run a centre for arts, “Mythri”.  The centre offers various classes in dance, music, painting and martial arts. As part of the 16 days campaign activity we are trying the kindle in the kids thoughts of various powers hidden in each of us, through the medium of arts.
  • The power to be oneself
  • The power to choose
  • The power to make a difference
  • The power to help others
  • The power to make a better world

Three things you would suggest to keep these individual actions going?

A small act can make a big difference in the long run, so be part of a small act. Keep doing what you believe in, as the process is more important than the end result. In the case of our centre Mythri, I feel it’s our responsibility to inspire the young minds who are ready to be moulded. Our actions will go on with each class, each interaction, each workshop, each new dance, music, painting.