Showing posts with label WCC. Show all posts
Showing posts with label WCC. Show all posts

Thursday, December 20, 2018

Short Takes: What Women Write - Truth or Dare: Gender-Based Violence defines women's possibilities; Does it have to feature in literature in order to authenticate a woman's voice?

This is a post of the talk given the students who participated in the event Short Takes: What Women Write held at Women's Christian College on 1st December 2018 as part of the 2018 Prajnya 16 days Campaign against Gender Violence. Read about the event here:
Truth or Dare: Gender-based violence defines women's possibilities; Does it have to feature in literature in order to authenticate a woman's voice?  - Two speakers spoke on this topic as a pair. The first speaker handled the question of women's possibilities being defined by the violence she faces, while the second speaker discussed the need for gender-based violence to be featured in literature.
1.

The term "Gender" is often misunderstood and misinterpreted. The dictionary defines "Gender" as "The state of being male or female. ( Typically with reference to social and cultural differences rather than biological ones.)" So "Gender-based Violence"  is nothing but violence directed against a person because of their gender. People of every gender go through this type of violence, but the majority of the victims are women and girls. The very fact that a person takes advantage of another and tries to assert their superiority over them just because they belong to a certain "gender" is rather disturbing but very prevalent in today's society.

To answer the question of whether or not Gender-based Violence defines a woman's possibilities, it is important to understand what a woman goes through after the traumatic experience. Violence to a woman can cause a variety of long-term and short-term physical and mental issues, the most fatal of which is death where the woman is either killed by the perpetrator or in the long run, she turns suicidal. But this is not the only effect on a woman, she is physically injured and mentally traumatised, as a result of which, she is rendered incapable of performing her everyday tasks. When it comes to work, the woman is either thrown out of her workplace or she herself quits her job in fear and shame because the humiliation and judgements thrown at her by the society are far worse than the actual violence. This is also the reason why girls don't talk to their parents about what they've been through, because often times, the actions taken by the parents are extreme: the girls are made to terminate their education and are never let outside their houses, or they are thrown out of their houses because they've brought "shame" to the family. Many girls and young women grow up to be uneducated and unemployed, and statistics prove that nearly 67% of unemployed women are victims of domestic abuse.


If a woman rises to the top or at least tries to make a name for herself even after enduring all the above-mentioned struggles, she is always seen with an invisible tag around her neck, which reads "abuse victim", and that is somehow enough for people around her to dismiss her and never take her seriously; and so a women victim is denied many opportunities in life and many of her dreams and goals remain unfulfilled. Therefore it is true that Gender-based violence defines a woman's possibilities.

- D. Angeline Nikita, II year B.A in English, Women's Christian College

2.

Does gender-based violence have to feature in literature in order to authenticate a woman's voice?

It is rather disturbing that this question even arises as it only seems to prove that women are more readily dismissed than heard and helped in our society.
Women are ambitious, inspiring, hilarious, and much more. Their worth is defined by so much more than their victimhood or the violence perpetrated against them. While the fact that a woman's voice needs “authentication” itself is saddening, it does not have to be done only through the presence of gender-based violence in literature. Social media, television and the internet have emerged as promising platforms for women to voice out themselves to the world and gain solidarity and support.
Traditionally, some authors refer to gender-based violence with misnomers such as “normalized violence” which is violence against women that is naturalized by particularly gendered constructs of heroism, nationalism or domestic space and therefore ignored as a normal part of life. In literature, female characters are most commonly made to meet with any one of the following familiar tropes after she is a victim of a violent crime:  She either becomes an unbalanced person, losing her sense of self and identity, or, she gets rescued by someone else, who is usually a male character. Or, she turns into a revenge-seeking vigilante, working outside the bounds of law in order to obtain justice.
What is interesting to observe in this pattern is how shallow the female's character is painted to be before the occurrence of the violence. She is usually described to be a naive, sweet, romantic and submissive character suddenly changing to become a completely different, more logical and more rational being, all because of the violence committed against her.
Yes, it is true that women are often victims of violence but must that be the only reason for their voices to be heard?
In conclusion, while the presence of gender-based violence in literature may catalyze raising awareness and educating readers of the violence acted against women, it shouldn't be limited to be the only channel through which women's voices are authenticated.
- Betsy Jenifer, II year B.A in English, Women's Christian College






Friday, December 23, 2016

WCC Students Audit: How safe are our public spaces?

How safe are the streets of Chennai? Are there streetlights, are there people around who can hear you call for help if you're in trouble. are the pavements usable, accessible? Students of the English Department at Women's Christian College set out to answer all these questions and more, by auditing areas around Nungambakkam and Egmore as part of the campaign.



WCC tied up with us for Daan Utsav this year, and their volunteers worked hard to raise funds and spread awareness about Prajnya's work. So when we went to them with the proposal for a safety audit, we had no doubts about the capability of the students to undertake the project. Prajnya volunteer Anupama Srinivasan conducted a training session for the students, where she explained the objectives of the audit, and took them through the process.

The students were then divided into 5 teams, each of them covering one of the areas marked on the map.



Following the training on November 19, the students were supposed to audit the areas until December 7, when they were supposed to present their results to the Prajnya team. Further, they were supposed to make one consolidated presentation on December 10 at the Public Forum we had planned as part of the campaign. But since we had to reschedule our programmes and cancel the public forum, the results workshop finally happened on December 21, and as expected, the students came up with astute observations from a thorough audit.



The final report will be published by mid-January - check this space for a link!

Monday, November 28, 2016

The Dummies' Guide to Sexual Harassment

The mannequin at Chamiers.
Picture courtesy: Sreelekha Raghavan
If street sexual harassment was a visual, how would it look?

This is the question behind our art intervention, "The Dummies' Guide to Sexual Harassment." As part of the campaign this year, we've placed 4 mannequins in different parts of city, inviting people to mark the parts of their body where they've been touched without their consent.

This idea for a city-wide mannequin placement was born in a conversation with Aditi Surendra, who wanted to use mannequins to start a conversation about women's experience of street sexual harassment.

Special thanks to our partners, Sundari Silks and Tranz Mannequins for providing us with these mannequins! And a big thank you to our location partners - Chamiers, PCVC, Shree Ayurvedic Multispecialty Hospital and Women's Christian College - for helping us take this vision forward.

Thanks to the following publications for covering this initiative!

The News Minute: These Chennai mannequins show how often women are groped on streets

The Times of India: What are these mannequins doing in Chennai?

Friday, November 29, 2013

Day 5: Women Defenders of Human Rights Day


Friday, November 29: Day 5 of the Campaign falls on Women Defenders of Human Rights Day. Prajnya screened 2 films at the Women's Christian College --  Tu Zinda Hai by Shabnam Virmani and Invoking Justice by Deepa Dhanraj, who was part of the panel discussion held after the screening. Poet Kutti Revathi and dancer Anita Ratnam were also part of the panel.


Anita Ratnam, Deepa Dhanraj and Kutty Revathi speak to students at Women's Christian College

Filmmaker Deepa Dhanraj spoke about the making of Invoking Justice, a film about the first women's Jamaat in India. An alumnus of WCC, Deepa took questions from the students on the subject of her documentary. "The women's Jamaat is successful because they interpret the Sharia in a flexible way. Some of them have a good hold on Criminal Law and they use whatever is best for a particular instance. So when there were talks of starting a women's Sharia court, these women were very concerned. They want the flexibility of a women's jamaat not rigidity of a formal court  because the court works on precedents -- and the precedents are set by already existing sharia courts, which may or may not be helpful to women," she said.

Poet Kutti Revathi spoke to the students about her work, the controversy surrounding it, and about understanding what each individual wants from their life. "My work is my passion and I am not ready to share the time I spend on my work with someone else. I'm a passionate lover, but that doesn't mean I need someone else to complete me," she said. The poet also spoke about the differing perspectives of men and women. "I wish I could find a woman to translate my poems from Tamil to English.. Men don't have the same experiences as women do, and therefore my message is not always conveyed properly."

The panel discussion revolved around gender, beauty and conflict in different art forms. Dancer Anita Ratnam explained, "Art has been used by different cultures that have been affected by violence in different ways. In post-war Germany, their dance forms have evolved into colourful celebrations of all things beautiful. But Japan on the other hand has gone to the other extreme; many of their contemporary performances are minimalistic, with sometimes no props, costumes or jewellery. This is their expression of the agony and destruction caused by war."